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100 jaar surrealisme
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Resisting repertoire. Strategieën voor een grotere genderbalans in repertoiretheater
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Les doigts acrobatiques, la fantaisie libérée. The artistic playground in keyboard methods from the 19th century
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De vocale religieuze composities van de allievo Domenico Cimarosa als compositieparadigma
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Taal leren als performance, performance als taal leren
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Clarifying vocal jazz: from insight to practice
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Perversiteit in perspectief
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Contextual Conductor: Practical Case Studies and Presentations
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The traditions of mandolin music in the regions of Crete and Athens
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Form and Material in Visual and Auditory Perception
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The traditions of mandolin music in the regions of Asia Minor and the Ionian Islands
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The Hearing Glass: Synaesthetic Correspondences in The Musical Practice
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The traditions of mandolin music in the regions of Asia Minor and the Ionian Islands
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Audiation-based Learning
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Fenaroli’s pedagogical output
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Possible spaces
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Redefining the Conductor’s Role in New Music
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Informed Phrasing
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Bodies Of Knowledge
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The four traditions of mandolin music in Greece
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Melodic Movement - Polyphonic Prayers, A case study on the process and performance of Karlheinz Stockhausen’s Inori.
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The ecology of joy
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Synaesthesia and Sound-colour Associations as An Interdisciplinary Metaphor
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Traces of Expressivity: conception of a high-level, universal hybrid score in music-based interdisciplinary works
Cultural work
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