This research project is the first part in a larger post-doctoral research project which aims at establishing a foundational framework for reimagining experimental Western ‘art’ music. Positioned at the intersection of artistic research, critical theory and institutional practices, this project interrogates the historical exclusion of diverse traditions from Western 'art' music canons, with a specific focus on African American musical practices and the hybridization of improvisation and composition. Grounded in relational musicology and decolonial perspectives, it proposes a transformative approach to performance practices and pedagogy. Divided in two parts, the first, as presented in this application, will focus on experimental musical practices incorporating composition and improvisation in the context of the large ensemble or orchestra. It advances an interdisciplinary methodology that synthesizes archival exploration, scholarly analysis, and practice-based experimentation and workshops. By addressing systemic gaps in repertoire, performance, and institutional structures, the research aims to provides insights and tools to expand the conceptual, practical and institutional boundaries of experimental music. Ultimately, this research aims to fundamentally rethink and practically reshape the music canon within conservatories and the professional music world, fostering a more inclusive and vibrant connection to contemporary music’s past, present, and future.
Image: Wadada Leo Smith: Kosmic Music, 2008 (score excerpt)
Update: April 2025
